On September 27th, This is Worldtown unveiled the full work of seven emerging media-makers taking charge in telling new stories about migration, space, healing and love at our group show, Unbound: Stories from Behind the Dust.
The exhibit was the culmination of a year-long program that used creative workshops and mentorship to assist in the creation of six visual stories that unearthed the complexity of female labour, love, archiving, memory and representation.
The featured media-makers are Samah Ali, Aleia Robinson-Ada, Eli Farinango, Soko Fong Negash, Mashal Khan, Aniqa Rahman and Shazlin Rahman.
From left to right, Shazlin Rahman, Aniqa Rahman, Samah Ali, Aleia Robinson-Ada, Eli Farinango, Soko Fong Negash, Mashal Khan
To kickoff the evening, TIWT’s founder and creative director Sana A. Malik led a panel discussion with the artists, where they shared their inspirations and process.
“I was looking to mainstream media for a reflection of myself, and every time I didn’t see myself being reflected, it eroded my self-esteem and my self-worth. [My grandmother] has been a source of strength for me. And through doing this work, and sharing it with other people, I discovered that a lot of other women of colour like myself are also dealing with the same questions.” – Shazlin Rahman
“What does it mean to wander free in a brown body, in the place that you grew up in? With this project, I wanted to add to the cultural imaginary of what it could look like of women just existing. I wanted the viewer to focus on the gaze of the women, and how strong they are, despite what they’ve gone through.” – Mashal Khan
“I feel like making pieces that are relatable for the audience I want to speak to that are these people that look like me is really important.” – Aleia Robinson-Ada
“The mark that I want to leave behind with my work is representation, but also acknowledging our land and taking care of it, as well as our relationships with our families.” – Eli Farinango
A complete video of the panel discussion can be viewed here:
Unbound: Stories from Behind the Dust will be on display next at Mississauga Civic Centre from October 23rd to November 7th. Entry is free and will open with a reception from 5-7pm at the Great Hall on Tuesday, October 23rd. RSVP here.
Over the next few months, we will be featuring the projects from our Behind the Dust Visual Series Mediamakers. Young Migrants by Aleia Robinson-Ada and Samah Ali is the third in the series.
In July 2017, an old friend, Samah Ali reached out to me about a creative idea she’d been playing around with, which she envisioned as a documentary photography project. Samah’s idea was to investigate the lives of diasporic people in Toronto who have established roots in Canada due to their family’s migration or they have their own arrival story to this country. All she needed from there was someone to help her execute the photography aspect of the project… and about 100 cups of chai later, our baby was born.
In early January, Samah and I sent out a call through our social media platforms asking for participants to volunteer and be a part of our journey in documenting and getting to know first- and second-generation immigrants in Toronto. The response was incredible. Emails flooded into our inboxes. So many people were interested and wanted to be a part of a project where they could share their stories of immigration with us!
Yara representing her Muslim upbringing in front of Allen Gardens.
The Young Migrants Project is a series of images that includes first- and second-generation people between the ages of 15 – 32 years old who live in the Greater Toronto Area. Our aim was to capture individuals of international migration and the stories of people affected by immigration. With each participant, we shot environmental portraits in a location that they felt describes a piece of their history or families’ history. This location would be of sentimental value or bring up a specific memory of their migration story. The places chosen ranged from a first apartment, a first job,to a local restaurant, to a city park where their family gathered and more. Along with the location, we shot each participant with a tangible item they own that symbolizes back home as well as the change and transition of migration. Our participants chose items that ranged from family photo albums, to a pair of shoes, to a briefcase, to a household item, or even a soup spoon made from a boat’s engine.
Jennifer C. in front of her old family home in Kensington Market representing her Vietnamese background and showcasing a handmade spoon of her mother’s making.Beeta holding her family photo album in front of Scarborough General Hospital where she was born.
With each participant, we also conducted a short audio recorded interview. In their interviews, participants spoke about their stories of migration and how they ended up in the city of Toronto and why they have ultimately stayed. The audio is meant to give the audience greater context surrounding the location and item each individual chose and its meaning to them. We noticed how the stories are strangely similar and relatable no matter where in the world each participant migrated from.
Behind the scenes of Jennifer and Samah preparing for first interview session.
This prompted us to ask: even though we all look different, are we?
Through this project, we had the opportunity to meet so many beautiful faces and get to know their intimate stories and family histories. We had the chance to capture the varying angles of the diaspora from countries like Vietnam, Jamaica, St. Vincent and the Grenadines, Ukraine, India, Nigeria, Lebanon, Kenya and many more! This is a testament to Toronto’s true diversity. It was an honour and we thank everyone who shared — for without them there would be no Young Migrants.
Sisterhood Media is a media production company and streaming platform made for and by people on the margins. Our platform aims to start discussions on identity, community, and self-actualization through audio and visual stories, whether made in-house or by incredible filmmakers working towards a shared vision. We’re going live this month, be the first to know.
Aleia Robinson Photography is led by Photographer, Visual Story Teller, Journalist, Media Maker and Soul Sister – Aleia Robinson-Ada. Aleia founded and created her company in the later half of her university career and has now stemmed into an artist traveling around the world inspired by people, their stories, and their spaces. Aleia has produced works of art such as Untitled: Portraits of Black Women, The Celebration Series and Micro/Macro Aggressions Against WOC, that document women of colour and create discourse within the community in their space and their words.
In digital spaces and beyond, women of colour are taking charge of creating new representations and documenting personal histories that resonate across diasporic experiences.
On September 27th, This is Worldtown reveals the full work of seven emerging media-makers taking charge in telling new stories about migration, space, healing and love at our group show, Unbound: Stories from Behind the Dust.
The Behind the Dust series is a portal into a world that is curated and created by Women of Colour, showing the possibilities of imagining beyond convention, and “behind the dust” of inflammatory and one-dimensional portrayals of communities under fire. As a collective, the media-makers are Muslim, Indigenous, Black, Women of Colour conveying in-depth visual stories about their communities, celebrating the fullness of experience in all its layers. What does it mean to visiblize these experiences? How are we learning from the past and creating for the future?
Come and celebrate new forms of storytelling, shifting and changing old and tired narratives at Unbound: Stories from Behind the Dust.
Over the next few months, we will be featuring articles and conversations from our Behind the Dust Visual Series Mediamakers. This is the fourth in the series.
Sometimes, watching the people we love – our family – speak with rose-tinted glasses about the countries they once lived in ushers in a trickling feeling of diaspora and longing. Being raised in a different country, there is a distance from their perspective and experience. Our people travel far from their homelands in hopes of finding places they can call home. A place where they can root themselves and build new communities that connect them to “back home” while creating new cultural traditions.
This uprooting, planting, and growing in a new country is a process that we, as young first-generation and second-generation people, are distanced from but also are so naturally embedded in. It is only when we inquire about this multirooted existence that we learn about ourselves, our people, and our parents. We know there is another place we call “home”. We grapple with who we are, our hyphenations, and realize that we are just the product of experiences that go well beyond our years and understandings.
With this in mind, we want to bring our study closer to home by interviewing our mothers — Valena and Shamis — about their experiences through Canadian immigration. Both first generation Canadians, one from the Caribbean diaspora and the other from the African. We ask questions about who they are outside of who we know them as and we learn about their dreams, their realities, and their hopes for us (and our generation).
Valena, 1980’s, hanging out with friends in Dominica.Shamis poses in a restaurant at Sarit Centre in Nairobi — visiting where she once called home.
Aleia: Can you tell me your name and where you’re from?
Valena: My name is Valena Robinson. I’m from Dominica and I am first-generation Canadian.
Shamis: My name is Shamis Hargahfeh and I’m from Kenya.
Aleia: Why did you move to this country?
Valena: I moved here because my mother was here; I thought there would be better opportunities. I wanted to go to school, I wanted to do something different with my life, so I thought I would come to Canada because my mom was here and I had a lot of family here as well.
Shamis: I moved here in the late 80s. I just finished high school and […] my reason was to go to school. I wanted to pursue an education and get a university level education in Kenya. I want to add that, really, a reason to move was also for opportunity. Where I’m from, we were basically considered second-class citizens and not too many opportunities for people with our origins, so coming [to Canada] was first, getting an education, and the second thing was for opportunity.
A studious, school-aged, and youthful Shamis.
Aleia: Do you consider Canada home to you? If not, where is “home”?
Valena: That’s a funny question because when I’m in Canada I call it home but when I’m back home in Dominica, as per what just happened, I call it “home.” When I’m talking to people about “home,” I’m generally referring to Dominica, it just depends on what the situation is. For me, Canada is just a place where I live but Dominica is where I’m from. So that is “home”.
Shamis: Yes for sure! I’ve lived in Canada longer than anywhere else that I’ve lived in my life. Let’s look back: when I was in my hometown, I lived there until I was 16, then moved around a little bit to a few colleges and finally in Toronto, and I’ve lived here for 30 years. So yes this is home, and even when I travel and I go back home I look forward to coming back.
Home to me is really here in Canada — and yes we keep talking about going back home but when we’re there, we’re visiting. In my opinion, we’re visiting family or friends and maybe reconnecting with our old family members. But really, this is home for me.
Aleia: So Valena, do you kind of feel like a push and pull type of thing? Not like an identity crisis but more like you’re in between both. Or is it really a situational thing where you really just don’t want to explain yourself to people?
Valena: Uhm… There’s no push and pull because I’ve been in Canada for more than 30 years so it is home so there is no push and pull and it’s not really situational either… it’s just you’re born and bred in a place so you automatically think of that place as your home, anything else is just transitional. It’s natural to think of that place where you’re born and bred, where your family is and everything, as home.
Aleia: What were your hopes and dreams before coming to Canada and did they realize?
Shamis: I would say absolutely! And I think you’ll be getting very negative messages as to immigrants and stuff but I’ve had all positive experiences being here. I came and achieved my goals of going back to university and earned a degree, which earned me a job. I’ve been with an organization, which I’ve been in different sectors, that I’ve been working with for 25 years. So yes, my hopes and dreams have been overachieved. I don’t think I would be able to do this from back home as well as being in a role where I am recognized for my role for what I do and the contributions I make to the organization.
Valena: I wanted to go to school that was first and foremost for me. I remember when I was back home and I just finished high school and I met a woman who was 65 years old and I always tell this story. She worked with the government for many years and she decided when she retired she was going to go back to school and take courses and make herself better. I thought you know, “that is what I want to do, that is going to be me: I want to go to school, I want to realize all my dreams.” I thought if I came to Canada I would be sure to get all those dreams realized. Well, on arriving to Canada I must say it wasn’t what I expected and was very difficult. I went to school but I didn’t seem to be able to achieve the things I wanted to because there was always some kind of obstacle, there was always some sort of bridge you had to cross, there was something you had to do to realize those dreams. It never seemed to happen for me. I can say that it’s only in the last few years that I’ve really been able to step up and do the things that I wanted to do and I’m slowly now in my later years beginning to see things come to pass. Canada is not an easy place to live. When I first arrived there was a lot of… you know, you get the sense that people don’t really accept you for who you are, you’re always trying to struggle and trying to make it. Every step you took forward you took two steps backwards. It was a long hard journey and there are still things that I want to do, that I need to do but this is Canada. That’s what it’s all about. Sometimes I think if I were back home I might be so much further.
Valena poses in her first apartment in downtown Toronto.
Aleia: What advice would you give to future generations moving countries?
Valena: People are always looking for something better. They say the grass is greener on the other side. But if you can make it in your own country, I mean, well, it’s good to travel it’s good to know other places but if I had to do it all over again I would not leave my country. I know that I would’ve been somebody if I stayed back home, I would’ve been able to go much, much further. Sometimes I wonder why people leave their country and come here. Canada makes it so hard for people these days; for immigrants these days. When you come, your education has to match that of candy, you have to go through so many hoops to become a citizen of the country. It takes an immigrant so many years to become a citizen. It’s only then that your benefits kick in. But even at that time, you’ve lived so long in the struggle that it only continues even after you’ve gained permanent residence or citizenship. I just think people need to think carefully before they make their decisions. I know there are so many reasons people come to Canada but I feel like if you have opportunities in your country where you can rise, you would be better off staying in your country. I can’t say what would have happened if I stayed back home but sometimes I wish I stayed home and made a life for myself there. Travelled, yes, but stayed home. I can’t really give someone advice because everyone’s experiences are their own, everyone’s path is different. It’s a double edged sword, it’s always a double edged sword. I just know if I had the choice again, I would have stayed. Canada for me, has not been the success story that I wanted.
Shamis: For me it was very different and this is something that [Samah] and I always talk about is keeping an open mind. If you keep an open mind and you focus on the important things — if it’s for a job you focus on your career and building your skill sets — you will be able to achieve your goals right here. As an immigrant, you get to come across cases where there may be racism or bias but let your merits speak for itself. Get educated, keep an open mind and let your credentials speak for you. That’s how I was able to achieve my goals in my organization and overall in life, in my personal life as well. Achieving my goals, not dwelling on the bias, racism and negative thoughts; just keeping a positive outlook. As you focus on the positive outlook your life becomes positive as well.
Aleia: What do you hope for your children (the next generation of people from your ethnic group)?
Shamis: I think the children born from migrants are different, and I see that from both of you. There’s no urgency to earn your degree and get a job and be independent. So what I would say is focus on completing your education. If you want to go into post-graduate programs I think my advice is get yourself a job, and while you’re at the job maybe pursue a master’s degree because most of the time I see people rushing into masters but really it does not suffice what they wanted to do. I suggest getting into the market, seeing what they want to do – maybe within two years – and see what interests them before they go do their graduate studies.
Pictured here is Shamis and her daughter Samah as a baby.
Most of the kids who were born here have their parents that help them out but at the same time have an urgency to be independent of your parents. From what I can tell, when we were here we were basically forced to grow up earlier because at 22, 23 we were in a new country, dependent on ourselves. We were coming up with our rent, coming up with our budget for food, so again, I don’t see that type of urgency for young children of migrants. So the focus is education, get a job, get a good merit, let your work speak for yourself and be independent.
Valena: I hope that they’ll be able to put aside the negative around West Indians, Black people, but mainly West Indians. Slowly, West Indians are rising above. West Indians are very ambitious because as children they’re told or it’s beaten into them that they have to make something of themselves. West Indians are very disciplined when it comes to education. They are like that because they know what they can achieve based on that education. And so, a lot of West Indians have come to Canada and travelled the world and succeeded in rising above and I hope that the generations coming up can want that for themselves. See themselves not just as West Indians, not just as Canadians, but successful people and strive to reach those goals.
content creator and producer, samah ali’s work specializes on topics of diaspora, culture, and identity conceptualization. she writes, speaks, and documents all while throwing witty remarks and curating an eclectic meme gallery . she is a film buff, music fanatic, and tea enthusiast.
Inspired by youth, beauty and rich cultures, Aleia Robinson-Ada is a photographer, artist and visual storyteller living in the city of Toronto. Aleia values culture and history deeply, for her, photography has always been a way to tell intimate, adventurous, bold and historic stories. She believes photography has given her a platform to share and create work that speaks to the world around her. Aleia focuses her photographic skills on, but is not limited to, portrait, documentary, photojournalism and her personal favourite, travel photography. Aleia started her own company, Aleia Robinson Photography, in 2014 and continued with a strong momentum for the past three years.
