Behavioural change through media and social networks, it’s the buzz phrase of NGO’s and larger organizations alike. Commercial outlets have caught in the last few years, capitalizing through a social marketing framework - playing on …

There’s an interesting new project based out of the University of Kent who’s methods seem really cool, even if the ultimate ends seem questionably ambiguous. Through four new projects, the research programme Radical Distrust hopes …

And just like that, one month later, the magic is over. If you’re like us - the withdrawal has hit you hard and all your freetime is now spent Googling the names of those previously unknown players for some Wikipedia insight into their lives, replaying videos of the greatest - and ugliest - moments and checking the stats on how likely Ghana is to take the next one home (we all need a feel good story, don’t we?). Through the lens of an all-encompassing, universal and non-elitist game of football, South Africa’s had a new platform on which it can be showcased. And with football as the focal point, what exactly did journalists, commentators and spectators expect from an “authentically” African World Cup? (Surely, it wasn’t Shakira’s Waka Waka as the break-out hit of 2010).

It’s been nearly one month since Arizona passed law SB1720 into procession, effectively aiding the discrimination of all migrants in the state. The law may purport to stem the flow of “illegal” immigrants across …

What’s the trick to listening to Roxanne Tatei’s (known musically as ROX) musical harmony? There’s a familiarity in her tunes that makes you feel like you know her, and an honesty in her demeanor that makes you want to get to know her. This is ROX Music - soulful, authentic and incredibly endearing. This is Worldtown chatted with ROX over the phone in between her busy recording and touring sessions, catching up on what exactly gives music - her music in particular - soul.

Charles Saatchi showcases thirty-five Indian and Pakistani artists dissecting the social and political processes around Indian politics and identity. Obscure, provocative and partly amateur though undoubtedly complex, The Empire Strikes Back intertwines medium and message for an unapologetic display of Indian Art today. The show runs at the Saatchi Gallery in London until May 7th.

Cult culture (no pun intended) has never made immediate sense to me. Following a figure, film or other iconic symbol obsessively to the point of worship - or perfect recitation of quotes and scripted comedic …

Sorius Samura has directed a new documentary for channel four called Living With Illegals. It documents his experience living among illegal immigrants from Africa as they cross from Morocco into Europe for month, under dangerous and gruelling circumstance, for a chance at life in the West. By documenting this for a reality tv audience, he attempts to displace the vision of the voyeur by placating his own self - i.e. the viewer - into the lives of those he chooses to document - ironically those without any documents.

Najla Said, daughter of the late Edward Said, is on the last stretch of her 13-week off-Broadway, one-woman show “Palestine”. First - the name, second - an unrecognized nation, and third - the “one-woman” performance surely add a lot of baggage to a single story.

One Month before Haiti’s tragic earthquake, one month before the world suddenly woke up to the country’s plight - Haitian life and art were captured poetically in the first ever Ghetto Bienniale. The townships of Port-Au-Prince transformed into urban art landscapes, showcasing the dynamic visual artists in an aptly titled, “A Salon des Refuses for the 21st Century”. Asking the question, “What happens when first world art rubs up against third world art? Does it bleed?” The Bienniale hosted artists and academics from countries like Jamaica, Venezuela and Columbia to respond. This feature in Dazed Digital magazine captures some of what there was to say.